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TRUMAN: What are you getting at?
COOPER: The truth, Harry. Because that's my job.
It doesn't really deliver the cataclysmic, phantasmagorical shocks you may have expected to end this freshman season, but writer-director Mark Frost was always the more level-headed co-creator. "The Last Evening" is still a great finale that brought a few plot-strands together and left ample room for development in season 2...AUDREY: I can't believe you were ever my age.
COOPER: I've got the pictures to prove it.
Thursday 2 March 1989. Currently, there are three separate investigations attempting to find Laura Palmer's killer: Agent Cooper (Kyle Maclachlan) and Sheriff Truman's (Michael Ontkean) official murder investigation; Audrey Horne's (Sherilyn Fenn) plucky attempt to solve the mystery; and the trio of James (James Marshall), Donna (Lara Flynn Boyle) and Madeleine (Sheryl Lee), who here probe into Dr. Jacoby's (Russ Tamblyn) relationship with their murdered friend. What's interesting about this penultimate episode is how this triptych of sleuthing all result in undercover missions...LOG LADY: Fire is the Devil hiding like a coward in the smoke.
Wednesday 1 March 1989. The honeymoon period is over. Cooper (Kyle MacLachlan) is awakened by rowdy Icelandic businessmen who have arrived for a junket at the Great Northern, and their presence is the first uncomfortable bump for a murder case that our Fed has hitherto appeared to almost relish...DR JACOBY: Laura had secrets and around those secrets she built the fortress that, well that in my six months with her, I was not able to penetrate and for which I consider myself an abject failure.
Tuesday 28 February 1989. There are plenty of developments in the murder case during this episode, in a story that plays more like a typical investigation with a soupçon of quirkiness—best exemplified by a moment where Cooper (Kyle MacLachlan) comes face-to-face with a llama in a vet's waiting room. Importantly, we come to realise that Cooper shares visions with the deceased's apparently psychic mother, Sarah Palmer (Grace Zabriskie), after he confirms that her sketch of the long-haired man crouched at the foot of her daughter's bed is the mysterious "Bob" from his own dream...TRUMAN: There's a sort of evil out there. Something very, very strange in these old woods. Call it what you want. A darkness, a presence. It takes many forms but... its been out there for as long as anyone can remember, and we've always been here to fight it.
A weird duality licks at the edges of this third episode, as the citizens of Twin Peaks come together for Laura Palmer's funeral. After the extraordinary events of Cooper's (Kyle McLachlan) trippy dream, our intrepid investigator calls Sheriff Truman (Michael Ontkean) and Lucy (Kimmy Robertson) to his hotel's dining room, only to throw cold water on their belief he knows who killed Laura Palmer. Unfortunately, Cooper forgot the most important part of his dream (whodunit), but is convinced that his reverie is a code that can be cracked...THE ONE-ARMED MAN: Through the darkness of future past / the magician longs to see / one chance out between two worlds / Fire walk with me.
Until now, Twin Peaks hasn't really been as off the wall as its reputation would have you expect. Cooper (Kyle MacLachlan) is definitely eccentric, some of the townsfolk are oddballs, and there's a pervasive strangeness in its auburn aesthetic and droning soundtrack, but it's generally more quirky than wilfully bizarre. Maybe we've just become accustomed to peculiar TV since Twin Peaks first aired? However, "Zen, or the Skill to Catch A Killer" is undoubtedly the moment when Twin Peaks embraced its famous surrealism, creating diehard fans with a taste for the fantastical, while possibly losing those less receptive to a murder-mystery with supernatural overtones...COOPER: You know, this is, excuse me, a damn fine cup of coffee. I've had I can't tell you how many cups of coffee in my life and this, this is one of the best. Now I'd like two eggs over hard. I know, don't tell me, it's hard on the arteries, but old habits die hard, just about as hard as I want those eggs.
Saturday 25 February 1989. It's reassuring to watch FBI agent Dale Cooper (Kyle MacLachlan) investigate the murder of Laura Palmer (Sheryl Lee), even though we're first acquainted with him suspended upside-down wearing gravity-boots, detailing the minutiae of his progress into his trusty micro-recorder. He's a weirdo, for sure, but his eccentricities pale in comparison to some of the Twin Peaks residents (not least the iconic Log Lady who cradles a piece of timber like a baby), and at least Coops peculiarities include the ability to judge strangers with incredible accuracy. The Bureau actually sent the perfect man for the job...PETE: She's dead. Wrapped in plastic.
Twin Peaks, Washington, "five miles south of the Canadian border and twelve miles west of the state line"; population 51,201. On 24 February 1989, a beautiful amber morning finds lumberjack Pete Martell (Jack Nance) discovering the dead body of homecoming queen Laura Palmer (Sheryl Lee); laid on a river bank, naked, wrapped in a sheet of plastic. Welcome to Twin Peaks; population 51,200..Oh God, I've just taken a photo of a mass-produced inanimate object! #TwinPeaks pic.twitter.com/wceBGMqBxO
— Dan Owen (@danowen79) July 30, 2014
I enjoyed Extant's pilot (more than most people), but the second episode was distinctly average. I was hoping Extant could become a fun summer show to review weekly, but now I'm not so sure. Halle Berry's performance felt much flatter as Molly, and the direction they're taking her android son Ethan (Piece Gagnon) appears to be the most obvious one. He's learned about extinction at the Natural History Museum, and Darwin's adage "survival of the fittest" suggests he's going to start seeing humans as inferior beings soon. Uh-oh.
Television shows executive produced by Steven Spielberg usually fail to excite me, because beyond interesting concepts and fantastic production values, they rarely succeed when it comes to delivering a story you can invest in over months and years. For every Band of Brothers, The Pacific and Taken (notably finite miniseries), there's a Terra Nova, The River, and Under the Dome.(c) 2006-2015 Dan Owen. All rights reserved. No content appearing on this site may be reproduced, reposted, or reused without written permission.
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