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It could have been a diluted version of The Killing, but Broadchurch crafted its own identity to charm nine million loyal viewers. Much of that is down to the difference in approach, as this was a less depressing affair, despite the child-killing subject matter. Maybe that's partly down to its idyllic seaside locale, but Broadchurch also embraced the British tradition of a good murder-mystery. It also didn't outstay its welcome over a lean eight weeks. A good murder-mystery's only as good as its final chapter.
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The problems facing Broadchurch are obvious and anticipated in this overworked genre. There isn't a fundamentally fresh way of presenting a murder-mystery, which immediately sucked drama out of this opener. If you've seen The Killing's first season (original or remake) you probably felt particular twinges of déjà vu while viewing this new ITV series. Both shows concern detectives investigating a crime in a small town, where a family's torn apart by the death of a child. The key difference is perhaps the weather, as Broadchurch's balmy Dorset is a world away from the relentless rainfall of The Killing's Copenhagen.
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