Saturday, 3 January 2009

Celebrity Big Brother 2009: Live Launch

That's it; Christmas is officially over. I know this because Celebrity Big Brother's back, so peace on earth and goodwill to all men just can't co-exist. I'm not sure there's a huge audience for Big Brother-related posts here at DMD, as previous ones rarely inspire many comments. But, I quite enjoy writing them, so expect occasionally commentary on CBB09 over the next three weeks...

The Live Launch was introduced by an errant Cybershade from Doctor Who's Christmas Special. Oh no, it's Davina McCall. Silly me. An easy mistake to make with that shaggy top she was wearing, but the facial gurning and disingenuous statements are the give-away. Davina accrued street cred with her fabulous turn as a zombie in Dead Set last October, but all that's forgotten within two-minutes of her half-drunk, hip auntie routine. Awful.

First into the house was LaToya Jackson, older sister of Michael Jackson. It's enough to justify using Jacko hits at the backing track to her entrance VT, anyway. I guess her brother Germaine (a previous CBB occupant) must have recommended this as a great experience? What a sense of humour! Amusingly, LaToya heads straight to the Private Bedroom and marks her territory by putting a bag on the bed. Like Germaine, she'll probably surprise and disappoint us by being the quiet and only slightly eccentric. The producers seem to believe everyone related to Wacko Jacko's going to be a total fruitcake, but that's never really been the case.

Second in was Mutya Buena -- which sounds like a German brand of chocolates, but is actually a former-Sugababe. She's boo'd by the crowd as she enters, weirdly. I mean, how dare she choose to focus on bringing up her young daughter instead of cough-up albums with the other 'babes! Mutya has a rather alarming look (covered in studs and tattoo's), but she seems okay. I think her attitude will be entertaining.

Third up is Verne Troyer (a.k.a Mini Me from the Austin Powers films), who engenders lots of cheers from the crowd because nobody wants to "boo" a midget, do they? Or whatever the PC term is these days. Little person? Is dwarf back in favour? Amusingly, Verne has to enter the house via a cat-flap sized door on ground level, before being handed a suitcase that threatened to squash him. So far, with his toothy grin and tendency to giggle, he's the most likeable celeb. Not sure I'd label him "cute", as many people do, though.

Tommy Sheridan is the first housemate whose celebrity status is probably even lost on his mother, too. Apparently he's a Scottish politician who became "infamous" for leading a few riots against the Poll Tax in the early-'90s. He's clearly intended to be the George Galloway of CBB09, but it doesn't help that nobody knows who he is. Still, he seems decent enough on first impressions. I sense he'll be after the Alpha Male status, which is sure to cause some aggro.

It's time for the obligatory saucepot, in the form of Page 3 model Lucy Pinder and her inflatable chest. Predictably, Lucy tells us she's going to shatter preconceptions about bimbo models. That's why she's on CBB, y'see -- it's not for the money! She supposedly has 11 GCSE's (all graded F?) Oh well, despite a mildly irritating and slightly posh voice, she's great to look at. But with no chance of any sunbathing in sub-zero January, I'm not sure how long she'll last as a pretty face.

Ben Adams is up next. You might not know the name, but... oh, okay, you won't know the face either! He was the lead singer of late-'90s boy-band A1 -- you remember. The pretty-boy with the hair curtains. He actually comes across very well on his VT and gets lots of cheers from the crowd to prove that. A down-to-earth guy, it would seem. An early contender to win? The nice ones always win BB, don't they?

Okay, what we need is battleaxe to cause some arguments and counteract the feminine loveliness of Ms. Pinder. Hey presto, here comes Tina Malone – a self-described "fat scouser" best known from acting in Brookside and Shameless -- unless you don't watch Brookside or Shameless. Like me. A battleaxe, then.

Coolio is the third American to have been persuaded to participate in this TV circus. The mid-'90s rapper who gave us Gangsta's Paradise earns applause as he exits his car, and entered the house in a generally agreeable manner. These tough-looking gangsters are often pussycats underneath the bravado and bling, so expect him to become a favourite to make the final, too. Unless he's an arse.

Ninth into the house is Michelle Heaton, formerly of Liberty X. Her career since the group split has mainly involved reality shows (like marrying Andy Scott-Lee on MTV), so she knows the drill. She's quite attractive and agreeable, but doesn't look likely to make a big impact. She'll probably just sit back and get voted out when we've grown tired of her.

Housemate number ten is early-'90s TV presenter Terry Christian of The Word fame, who now revels in his reputation as a northern twat. Weird thing is, he's always come across as quite a funny and humble bloke to me. I wouldn't be surprised if CBB actually does his career some good, when people realize he's just a self-deprecating, slightly cocky bloke trying to earn a crust. Good luck to him, I say. He's already become the first Head Of House, so we'll be seeing him until week 2 at least.

And the final celeb to the showbiz slaughter is Swede Ulrika Jonsson; trying to resurrect her '90s TV career after starring in that Shooting Stars anniversary special at Christmas. She looks a lot less trampy than she did there, but the crowd could sense the last-ditch desperation in Ulrika's presence, so she was roundly boo'd. But she's my pick for the celeb most likely to change your opinion of her, though.

So there you have it. Let the bickering, tantrums, fights, sulkiness and embarassment commence. Do you have an early favourite? Who's first for the chop? Will you even be watching?


2 January 2009
Channel 4, 9pm

Friday, 2 January 2009

Box Office Charts: w/e 2 January 2009


US TOP 10

1. Marley & Me $36.4m
2. Bedtime Stories $27.5m
3. The Curious Case Of Benjamin Button $26.9m
4. Valkyrie $21m
5. Yes Man $16.7m
6. Seven Pounds $13.2m
7. The Tale Of Despereaux $8.93m
8. The Day The Earth Stood Still $7.7m
9. The Spirit $6.46m
10. Doubt $5.34m


UK TOP 10

1. Yes Man £2.3m
2. Bedtime Stories £1.5m
3. Australia £1.2m
4. Madagascar: Escape 2 Africa £1.18m
5. Twilight £1.15m
6. The Day The Earth Stood Still £521k
7. Ghajini £318k
8. Inkheart £310k
9. Four Christmases £275k
10. The Tale Of Despereaux £240k

UK RELEASES THIS WEEK

"The Reader"

Romantic drama. In post-WWII Germany, a law student encounters an old flame who is defending herself in a war-crime trial.
Director: Stephen Daldry Starring: Ralph Fiennes, Kate Winslet, Jeanette Hain, Susanne Lothar & Alissa Wilms.
US Box Office: $1.5 million
Tomatometer: 60% (Fresh; based on 116 reviews) "Despite Kate Winslet's superb portrayal, The Reader suggests an emotionally distant, Oscar-baiting historical drama."

"The Sisterhood Of The Traveling Pants 2"

Comedy-drama. Three years after making a lifelong pact, a group of friends get together to share their experiences of college.
Director: Sanaa Hamri Starring: Amber Tamblyn, Alexis Bledel, America Ferrera, Blake Lively, Rachel Nichols & Tom Wisdom.
US Box Office: $44 million
Tomatometer: 63% (Fresh; based on 89 reviews) "The workable chemistry among the four leads combined with the enriching message make for a winning movie."

"The Spirit"

Comic-book action. A rookie cop returns from beyond the grave to defeat his nemesis The Octopus.
Director: Frank Miller Starring: Gabriel Macht, Samuel L. Jackson, Scarlett Johansson, Eva Mendes, Jaime King & Sarah Paulson.
US Box Office: $12 million
Tomatometer: 15% (Rotten; based on 85 reviews) "Though its visuals are unique, The Spirit's plot is almost incomprehensible, the dialogue is ludicrously mannered, and the characters are unmemorable."

Thursday, 1 January 2009

PRISON BREAK 4.16 – "The Sunshine State"

Spoilers. By rights, the mid-season finale should have been "Selfless", as Prison Break has awkwardly plodded on past that ideal twist-ending, trying to sculpt a half-baked reason to justify its existence. Cynics might say that's been the case since Michael Scofield scaled Fox River's wall back in season 1. "The Sunshine State" scores points for narrative momentum, now that it's decided on its new direction, but loses them entirely for concocting such a ridiculous, improbable gambit...

Linc is now working for The General, having agreed to retrieve Scylla as payment for The Company's life-saving operation to remove his brother Michael's brain tumour, on the understanding they'll all be left alone when Scylla is back safe and sound. Yeah, he hasn't learned anything from past events, and thus proves he's as dumb as he looks...

Inexplicably, The General thinks that Linc should lead a team to track down Scylla's thief, Scott Carruth (Titus Welliver); a group that includes the two people who made the botched exchange in the first place (Gretchen and Don) and regular third-wheel T-Bag. All of them are liars with shaky morals and questionable ethics, so quite why they'd agree to help The Company is anyone's guess. Add to that the question: why would The General entrust Scylla's safe return to the people responsible for stealing, selling and losing it in the first place!

Elsewhere, Michael wakes up after his brain op, like Patrick McGoohan from The Prisoner, transported to the Prison Break version of The Village (a remote cabin, 60 miles from the nearest town). Here, he faces psychological turmoil from enigmatic shrink Dr. Roger Knowlton (John Getz), who has some surprising news for Michael regarding his long-dead mother and The Company's true motives.

Half the episode is taken up with Team Linc, trying to trace the mysterious Carruth before Scylla is lost to them forever. But it's very difficult to believe in this new set-up, particularly once a clean-shaven T-Bag reveals he's in cahoots with The General and is keeping him informed of developments. How this happened, why T-Bag decided to trust a villain he's never even met, or how he got The General's cell-phone number are questions you'll just have to answer yourself. Good luck. While you're at it, how did Mahone find Linc – and why, as an intelligent man, he forgets to mention how hopelessly ridiculous this scheme is, and blindly joins their team on the grounds of owing Linc a favour. Indeed, much of "The Sunshine State" contained developments and changes of allegiance that made me consider the possibility I'd missed an episode or two.

Another sizeable problem was the amount of double-crossing that happens in a typical episode of Prison Break; because they've now lost all sense of surprise. It's now unusual for a scene to end without someone changing their half-established loyalty. In particular, Gretchen pin-balls around the fidelity board in this episode – being relatively palsy with Don and T-Bag (who were threatening her daughter's life a few episodes ago), makes a sexual advance on Linc (whose life she ruined in season 3), sides with Carruth once she tracks him down single-handed, only to renege on that decision during the final confrontation – for which she's rewarded with a belly-full of lead. But don't worry, her survival is almost guaranteed, if only because Prison Break relies on "surprise returns" and will doubtless utilize Gretchen for one soon enough.

In the end, Sarah finds an unexpected ally in The General's estranged daughter Lisa (Stacy Haiduk), who gives her Michael's location, and helps him get away from his captors after he masterminds another McGuyver-like escape plan. The big twist as the mid-season finale is the reveal that Michael and Linc's mother Christine (Kathleen Quinlan) really is alive, and also Scylla's secret buyer. A predictable development and, historically, once a television series starts retconning their own history like this, it doesn't bode well.

In its favour, Prison Break has been jumping sharks for quite a few years now, and it's usually able to make you forget all the inconsistencies with sheer bravado and the charisma of its actors. The same might also be true here, but with rumours Prison Break is facing cancellation before its twenty-second episode, I just hope the writers find a way to bring this series to a half-decent finish if asked to do a premature finale. Or have they truly lost the plot and exhausted audience's goodwill, as seems to be the case?


29 December 2008
Sky1, 10pm

Writers: Matt Olmstead & Nicholas Wootton
Director: Kevin Hooks

Cast: Wentworth Miller (Michael), William Fichtner (Mahone), Dominic Purcell (Lincoln), Sarah Wayne Callies (Sara), Jodi Lyn O'Keefe (Gretchen), Robert Knepper (T-Bag), Amaury Nolasco (Sucre), Michael Rapaport (Don), Stacy Haiduk (Lisa), Leon Russom (General Krantz), Kathleen Quinlan (Christina Scofield), Crystal Allen (Tia Hayden), John Getz (Dr. Roger Knowlton), Titus Welliver (Scott Carruth) & Graham McTavish (Ferguson)

2009: TV Treats Coming Soon

2009 is here, so attention turns to what televisual goodies the next 365 days will bring. Here's a quick run-down of TV shows you should be paying attention to in the next few months:

4 Jan. GLADIATORS (Sky1): return of the newly-revived gameshow, with Caroline Flack replacing Kirsty Gallacher as co-host, and some new Gladiators to contend with. Silly, staged, panto-style entertainment that will never better the original, but it's a valiant effort that knows how to entertain. And just seeing Tempest dangling around on Hang Tough is enough for me.

7 Jan. DAMAGES (FX): second season of the legal thriller, starring Glen Close and Rose Byrne. After the riveting first year, I'm psyched to see if they can maintain that high quality. New co-stars include William Hurt and Timothy Olyphant.

8 Jan. DEXTER (ITV1): I'm sure the fans have seen it already, but Dexter's second season makes its belated terrestrial debut on ITV1, so if you don't have access to the US-paced episodes from Showtime, and don't subscribe to FX on your cable/satellite package, here's how you catch-up.

12 Jan. 24 (Sky1): finally, after 18 months spent watching the clock, 24's seventh season is here (airing a day after its US premiere, too.) The TVM "Redemption" was underwhelming filler, but here's hoping the genuine article delivers the mayhem, tension and surprises we expect. Or has 24 run its course? Did the show always thrive on a post-911 Bush government, as a Republican fantasy piece? Will it seem archaic and distasteful for the hopefully more enlightened Obama Democratic administration? Or does none of that matter, so long as Jack snaps some necks, dammit?

12 Jan. COUNTDOWN (Channel 4): not generally worth mentioning, but who doesn't want to see how new hosts Jeff Stelling and Rachel Riley cope as replacements? Can they replicate the Vorderman/Whiteley chemistry?

15 Jan. FLASHPOINT (ITV3): brand new Canadian drama about elite officers who deal with life-or-death situations.

16 Jan. BATTLESTAR GALACTICA (Sci-Fi): the fourth season continues and the sci-fi remake concludes in the summer. Lots of questions need answering: who is the Final Cylon? What happened to the Thirteenth Tribe? Will we ever get a Six, Athena, D'Anna and Gaius foursome?

18 Jan. FLIGHT OF THE CONCHORDS (HBO): second season of the comedy about two dimwit Kiwi folk-pop musicians trying to make it in New York. I liked the vibe of season 1, but felt the idea stretched itself too thin. Hopefully things will have been improved for season 2, but I don't think it's a good sign the Conchords have had to write fresh music on top of the basic scripts. Sounds like they might have bitten off more than they can chew?

19 Jan. THE MENTALIST (CBS): the year's most successful new US show returns for the second half of its ratings-winning first season, although I won't be watching until it arrives on Five in the UK. Has it improved much beyond episode 4? I loved the Pilot, but felt the writers weren't making the "psychological illusionist plays detective" series I was expecting after that.

20 Jan. FRINGE (Fox): the first season continues, heartened by a run of four genuinely good episodes that led us to the mid-season finale. I really want this show to succeed, as it has huge potential. It would also be nice to get a Darin Morgan script made (been waiting since 1998 for one of those babies.) Oh, and if Anna Torv could learn a new facial expression to go with "constipated confusion", that would be appreciated.

21 Jan. LOST (ABC): season 5 of the mystery drama, with half the characters still stuck on the island (but where or when or are they?), and the other half now living a lie off-island. Can Ben and Jack persuade the Oceanic Six to go back? Why must they return? As the Others' new leader, will Locke finally get all the answers? Will we see the four-toed statue again? And, seriously, what the hell is the smoke monster? This penultimate season will be shown on Sky1 four days afters its US premiere, starting on 25 Jan.

25 Jan. GENERATION KILL (FX): US drama series from the creators of The Wire, about an embedded reporter with the US Marine Corps during the Iraq war in 2003.

2 Feb. CHUCK (NBC): second-half of the second season, which should be about to start on Virgin1 here in the UK. More slapstick action, light-hearted comedy, geeky interludes, and plot manipulations to ensure Yvonne Strahovski gets half-naked during most missions. Bliss.

2 Feb. HEROES (NBC): Volume IV of the superhero drama, that's squandered its season 1 promise to a dangerous level. A lot of nerds-in-the-know will probably stick around for season 4 (where departed producer Bryan Fuller returns to steer the ship around), but for now let's just hope this "Fugitives" storyline (with the heroes all captured by the government, only for their prison plane to crash, leading to a big manhunt) is as cool as it sounds. Or will we again be asking "why doesn't Hiro just go back in time and stop all this from happening?" BBC Three will hopefully be showing episodes about a week later, as usual -- so, 11 Feb is my guess.

13 Feb. DOLLHOUSE (Fox): Joss Whedon's high-concept sci-fi action series arrives with the odds stacked against it (a Friday night graveyard slot, publicized problems in production). But, the premise still sounds awesome, with a team of "dolls" having their personalities engineered for specific missions, until one (Eliza Dushku) starts to remember her past. A call to US fans: come on, watch this, get others to watch this, or it will be cancelled.

13 Feb: TERMINATOR: THE SARAH CONNOR CHRONICLES (Fox): another show dumped into the Friday night slot to die by Fox, so any fans should renew their efforts to watch it. This could be last batch of episodes for the much-maligned, but actually rather enjoyable Terminator spin-off. Hopefully they will answer their remaining questions and (if circumstances allow for it) tie-up the whole series in a fitting, big finale.

24 March. CUPID (ABC): revival of the late-'90s fantasy-comedy, about the God of Love's attempts to get back home by matchmaking 100 couples. This show is a cult favourite, and it's not every day a network remakes one of their own shows a decade later. Maybe more people will actually watch it this time?

DVD/Blu-ray Releases: January 2009



It's a brand new year! So... did you get a Blu-ray player for Christmas? If so, you'll need some Blu-rays to play. The latest Blu-ray and DVD releases for January in the UK are:

5 JANUARY

Apparitions: Series 1
Eden Lake
Journey To The Centre Of The Earth

12 JANUARY

Pineapple Express
You Don't Mess With The Zohan

19 JANUARY

Disaster Movie
Drillbit Taylor
Scrubs: Season 7
The Ruins
The Women
You Don't Mess With The Zohan

26 JANUARY

Brideshead Revisited
Death Race
Fly Me To The Moon
The Fall
Groundhog Day
Little Dorrit
Rocknrolla
Tropic Thunder
Tropic Thunder (3-Disc Director's Cut)