COCKED! DOWN DOG! MAD DOGS! MAN IN THE HIGH CASTLE! THE NEW YORKER PRESENTS! POINT OF HONOR! SALEM ROGERS!
"Time hasn't been kind. There's something a little tragic about Reeves and Mortimer peddling their brand of surreal comedy now they're both 50. It's difficult to keep a youthful, anarchic streak alive when you're middle-aged (ask Rik Mayall and Ade Edmondson), so watching two crinkled men beckoning down "The Dove From Above" or singing in a "club style" wasn't funny, or even pleasantly nostalgic, it just felt tired and stale." Continue reading...
"Big Brother is still commercially viable but it's at a level now where the new programmes we commission, if we're optimistic, can do as well. If we were a purely commercial station, we probably wouldn't be axing it, but beating at the heart of C4 is a desire to do new things. We ought to be able to bring a new range of shows in that get 2 to 3 million viewers. The audience is very discerning and we owe it to them to give them new stuff. The channel's always gambled commercially. The creative challenge is more interesting than a sure commercial bland bet."I'm not surprised by this news. I even welcome it, speaking as a loyal Big Brother fan who's still watching the show. Fact is, BB has run its course, even if there's still much to enjoy about it. Anyway, take heart BB anoraks: Big Brother is the kind of malleable format that isn't likely to disappear forever. I wouldn't be surprised if a digital channel pick it up from Endemol for a knock-down price*, or it's revived in 10 years time.
"Cancelling Big Brother does not solve Channel 4's funding issues, this year we've nearly £125m less to spend on programmes than we did a couple of years ago and budgets for next year may have to be reduced further. However, assuming advertising revenues stop deteriorating at some point, we should have greater flexibility in how we spend our commissioning budget. The significant sums that have been committed to Big Brother in the past should now be available to boost budgets in genres, such as drama, that have had to be cut back sharply during the downturn."
"As with all Sky1 dramas, not only will it feature a gifted cast with a large popular following, but working with Andy Harries and Left Bank Pictures means an already crackling script will jump out of the screen. Shot in South Africa with stunning locations and high octane HD action sequences on a grand scale, Chris Ryan's bestselling novel will be a truly uncompromising, compelling, action drama."The series is scheduled to premiere next spring on Sky1 and Sky1 HD.
"Skins is one of those rare shows that cuts through to its core audience with unusually authentic stories due to the unique writing and casting process that Bryan [Esley] pioneered. Having personally pursued the UK project for almost two years, I am beyond thrilled to bring it to MTV in the US. We intend to preserve the authenticity of the British version and are excited to collaborate with the original team to develop stories that will speak to American youth."
"There is a bit of misinformation going on. Not for a moment would I say the BBC has problems with communication, [but] as far as the writers and the controller of BBC comedy, and the controller of BBC2, and Matt Lucas are concerned, we are developing a second series."Mulville also suggested that Kröd Mändoon's budget could be slashed to help make another run viable, and that the BBC are behind its return "because it did well, it is a very unusual piece, and it’s got ambition -– and it’s got Matt Lucas in it."