
In "Journey", Mr Schue (Matthew Morrison) made the shocking discovery that arch-nemesis Sue's (Jane Lynch) on the judging panel of the show choir's Regionals event, which resulted in the glee club having no confidence that their hard work will judged fairly. Everyone was ready to throw in the towel and wave goodbye to their glee club's funding for the next term, until Schue was reminded by Emma (Jayma Mays) that it's the journey that matters, not the destination, and the club should just enjoy the experience of performing in the finals rather than dread the likelihood of failure. A medley of Journey songs ("Faithfully", "Any Way You Want It"/"Lovin' Touchin' Squeezin'", "Don't Stop Believin'") became the appropriate way to celebrate how far the group have come in the past year, overcoming a variety of personal obstacles to perform on the Regionals stage.
No prizes for guessing that Quinn (Dianna Agron) went into labour shortly after completing their set, rushed to the hospital for birthing scenes mixed with the glee club's rivals Vocal Adrenaline performing Queen's "Bohemian Rhapsody"; a sequence that tried to have the Queen hit's lyrics have sub-textual meaning for Quinn's situation, but mostly failed and rather spoiled the moment. It was one of those creative ideas that just didn't come together in the edit, although the performance of Vocal Adrenaline and lead star Jesse (Jonathan Groff) was suitably manic, over-rehearsed and soulless.

A pleasing part of this finale was seeing how Sue's fellow judges were even more callous than she is, proving frustratingly dismissive of McKinley High's troupe in particular, and angering Sue's shriveled soul as an educator who appreciates the hard work these kids put into their performances. It's been a delicate balance keeping Sue a ferocious cartoon-y monster, while at the same time giving us glimpses of her softer side -- and, while the season hasn't always achieved equilibrium, "Journey" handled her character's dichotomy perfectly. Sue's ultimately someone who enjoys ruffling feathers and perhaps views her bullying attitude as "healthy competition", and this episode did a good job of painting her as a villain who knows she's nothing without an opposing force like Schue to grapple with.

Ultimately, Glee has proven itself an incredibly popular and lucrative television concept, but I've always been unsure it can exist as long as Fox want it to. This first season already felt quite slack in its first half, and a great deal of its storylines didn't really work. I sincerely hope season 2 has the writers putting more effort into developing the characters and situations in more plausible and consistent ways, so the show is less reliant on its tone and song-n'-dance silliness to keep you hooked. Right now my abiding thought whenever I sit down to watch Glee is wondering what songs they'll be tackling, and what zinger Sue Sylvester's going to spit Mr Schue's way, but I really hope I get properly invested in the plots and relationships next year. Rachel, Kurt, Mercedes, and Mr Schue are all decent characters crying out for more conventional, satisfying arcs. We know they can all sing and dance, I'd like to see more in the way of acting.
Asides
- I know it's just a trivial TV show, but there's surely no way Sue would be included on a judging panel for a competition her own school's competing in!
- Just a thought: wouldn't it be cool if Glee's finales were a break from the format and instead an hour of song-by-song performances, like a real competition? A fictionalized American Idol-esque two-hours, perhaps? Or maybe the glee club could participate in a faux-reality TV show one season?
WRITER & DIRECTOR: Brad Falchuk
GUEST CAST: Josh Groban, Olivia Newton-John, Jenna Ushkowitz, Jonathan Groff, Idina Menzel, Iqbal Theba, Charlotte Ross, Naya Rivera, Bill A. Jones, Heather Morris, Harry Shum Jr. & Dijon Talton
AIRDATE/CHANNEL: 14 JUNE 2010 - E4/HD, 9PM